to speak of what you knew
originally,
you make an uncustomary
trip to the basement
where you find the table
you’ve already dined at.
the dishes
you’ve already washed.
the cupboards
you’ve already stocked full.
you examine the original
piece.
you regard it.
you listen.
you imagine it out of
its ideological
room.
you scrub the dirt
from under your fingernails.
you wipe the grit
from your eyes.
skyscrapers grow
to remind you,
originally
of what you don’t speak,
believing no harm done, this
lack of information, this
indirect route, this
dig for graves & mind,
forgiving too much,
no logic
to wonder desire or intuition,
compassion
a metaphor to move
one ear to the image
of other, or
a canoe floating down a river
& you’re rowing as fast as you can
& you can’t feel the oars in your hands
& you don’t know where you are going
& suddenly you hit concrete walls
as high as your basement
& what comes next?
don’t look at the site
where skyscrapers grow.
windows reflect faces in crowds
& map incomplete facts,
complex associations,
completing the route between image
& word to speak of,
originally. for example,
what fact at birth?
did you hear them singing
as you rowed down the river
against all odds
to real joy?
the basement darkens
flows into rivers
finds the driver
grabs the oar
rides the descent
backpack adjusted
notepad resurrected
Originally published in Guillinna on Four Wheels by Sandra Squire Fluck. Available on Apple Books and Amazon Kindle.